Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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Here are all the paintings of Sir William Beechey 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
96778 Charles Brudenell Bruce Sir William Beechey Charles Brudenell Bruce oil on canvas 74.5 x 62 cm 19th century cyf
41 Horatio Viscount Nelson Sir William Beechey Horatio Viscount Nelson 1801 National Portrait Gallery, London
85497 John Wodehouse MP Norfolk Sir William Beechey John Wodehouse MP Norfolk oil on canvas 91 x 71 cm 1785
89605 John Wodehouse MP Norfolk Sir William Beechey John Wodehouse MP Norfolk oil on canvas 91 x 71 cm cyf
83623 Portrait of a Young Girl Sir William Beechey Portrait of a Young Girl 19th century Medium Oil on canvas Dimensions 23 1/4 x 20 in. (59 x 51 cm). cyf
82913 Portrait of Elizabeth of the United Kingdom Sir William Beechey Portrait of Elizabeth of the United Kingdom 1797(1797) Medium Oil on canvas Dimensions 92.7 x 68.6 cm (36.5 x 27 in) cyf
82712 Portrait of John Carr Sir William Beechey Portrait of John Carr 1791(1791) Medium Oil on canvas Dimensions 127 x 100.5 cm (50 x 39.6 in) cyf
83519 Portrait of Mary Constance Sir William Beechey Portrait of Mary Constance 1782-1787 Medium Oil on panel cyf
81713 Princess Augusta Sir William Beechey Princess Augusta ca. 1802(1802) Medium Oil on canvas cyf
44597 Sarah Siddons with the Emblems of Tragedy Sir William Beechey Sarah Siddons with the Emblems of Tragedy mk173 1793 Oil on canvas 245.1x153.7cm

Sir William Beechey
1753-1839 British English painter. He was trained as a lawyer before entering the Royal Academy Schools, London, in 1772. He is thought to have studied under Johan Zoffany, and his earliest surviving portraits are small-scale full-lengths and conversation pieces in Zoffanys manner (e.g. The Custance Conversation Piece, c. 1786; priv. col.). Beechey first exhibited at the Royal Academy in 1776. In 1782 he moved to Norwich, where he gained several commissions, but he was back in London by 1787. In 1789 he exhibited a portrait of John Douglas, Bishop of Carlisle (London, Lambeth Pal.) that is remarkable for its facility of handling. Beechey would occasionally paint similarly inspired works, but his career is marked by a succession of unflamboyant but competent portraits in the tradition of Joshua Reynolds.
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